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Since the second draft of Mo'Reece and the Girls, the playwright has included an epigraph:

"This is discrimination, pure and simple, the soft bigotry of low expectations."  –George W. Bush's acceptance speech at the Republican National Convention in 2000.

In the deepest parts of the ocean, under thousands of pounds of pressure, "expectations" shift, distort. Even the lowest can drift away out of reach by the steady motion of a current, while others, casting shadows through murky water, morph from obvious fantasy into the only way out. From that dark zone, having fallen off the edge of the continental shelf, all dry lands--Italy, Greece--appear equally distant, equally the beach upon which one might still wash ashore.

So I want to add to Bush's statement a second reflection on "low expectations," from Denise Riley of Pensacola, Florida, speaking about a year after Bill Clinton passed the Personal Responsibility and Work Opportunity Reconciliation Act:

"Ms. Riley recently warned her mother, 'Whatever I have to do to keep a roof over my head and keep my baby fed, I'll do it.' When her mother said this would surely not include bank robbery or prostitution, Ms. Riley offered no assurances. 'I said, Mama, whatever it takes.' " –New York Times, June 6, 1997.

What does it mean when meeting even the lowest of expectations requires doing "whatever it takes?"

People Underwater

Since it seems that some of the Imaginings will be encountering Mo'Reece "underwater," check out this clip--underwater movement, generally thought of as hyper-fluid and graceful, has some subtle but important aspects that give texture to this fluidity. In particular, the relationship between motion and stillness: movement in the water is marked by the necessity of propelling oneself, and by the fact that this requires pauses, during which, for example, the arms and hands are returning to the position from which their motion can be repeated, without counteracting the propulsion they produced.

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